The Contax Zeiss Survival Guide: 1) WHY SHOULD YOU CARE ABOUT CONTAX GLASS? Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. My 21mm CP.2 is probably my favourite lens that I own, lovely, lovely piece of glass. Slowly I fell in love with them. Check out his own blog here and Patreon here. The Standards were w/out a doubt the sharpest wide open. https://www.reduser.net/forum/shooting-red/lens-tests/94346-contax-zeiss-survival-guide. Focal length marked on the rear caps as well. One thing I want to mention here is that I have found the new 50/1.4 ZE and ZF's to be MUCH softer wide open than my Contax 50/1.4. Is the Distagon 21mm the same glass as they use in the Compact Primes? Unfortunately, it predates the Distagon 28/2.8. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. It's more like the image jumps! was migrated to Stuttgart under the watchful eye of American troops. smc super takumar lenses are often more available and significantly cheaper than the Contax. You could use it an any focal length and not really have any compromise relative the prime lenses of the time. It was a time when I didnt shoot much, but I went on long bike rides. The 50 1.7 and 180 2.8 are also rumored to be better in MM. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. We've been taking a look at what it offers and what it's like to shoot with. Things can still look beautiful, but Zeisss philosophy is not to make things pretty, but to be true. C) They have the older Zeiss T* coating that we also find on Hasselblads, Super Speeds and Standardsand as such have a more organic rendering on digital than ZF/ZE/CP2s. For that reason I had to make a super tall focus gear that would not slip off when travelling from infinity to minimum focus. Contax 100mm f/2 vs ZE/ZF - FM Forums When the ZF/ZEs first came out in 2006, they appear to have been direct re-badges of the Contax line (with small modifications to the designs). First I measured the slip-on caps I got from SIMMOD and created a Photoshop template with that size. After aperture was made smooth and clickless I still had my 3d printer hanging around, so I printed aperture gears as well. @ Yean: Same here, my Contaxes shift very little if at all, especially when compared to any modern electronic lens. @Yean: I'm 99 % sure it's the adapter then. I remember years back when it was Pebble Place, Fred Miranda, a few random flickr pages and foggy lens tech folklore for figuring out this old glass. I got all my standard 80mm fronts from him, as well as slip-on lens caps. I own them both. Enjoy! Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. Nick P. - lenses like your 35/2.8 and 50/1.4 with the last (largest) number on the aperture ring in green are MM lensessince made in Japan, they are called MMJs. You can either build a $1500 set or a $10000 set and youll always impress with the results. I still dont know when to use them, though! They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. I was just ahead of the game, so it wasnt necessary on my case. Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4: A review Last point on the focus gears: the same way you always want to have a constant outside diameter, you want to place them on the lenses at the same distance from the mount. Ron also offers the full mod service for great prices, including focus gears and lens mounts. Heavy, but sharp. For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. Remember me Log in Forgot password or user name? The optics in these Zeiss are very similar, if not the same as the current Zeiss still lenses, a different coating on the glass is the main difference. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. Its a gradual process, guys. These are stills lenses, and as Ryan De Franco correctly points outare designed to MAXIMIZE their resolution at F4 or 5.6. Vintage Lenses Recommendation (Contax Yashica, Canon FD, Minolta MD And. ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. On digital, these things are a home run, like Standards and Super Speeds. The process turned out alright and the gears worked great, but later on I learned some useful tricks. In my experience, ALL AEs have the Ninja-Star. Here are some things I got from it: Contax Zeiss lenses were designed for 35mm full frame, which means theyll cover all the way up to Vistavision sensors on modern cameras and anything smaller. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. The 135mm f/2.8 was a great lens. This is a sticky topic. Its really not a huge deal. All content, design, and layout are Copyright 19982023 Digital Photography Review All Rights Reserved. You have a wide range of lenses to pick from and equally different price tags. May be one of the sharpest Contax primes ever made. Great help. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. It was not a problem as a starter set. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. Luckily for me, out of the five lenses I only messed up really bad on one (the 85mm, which was also the first one I tried). Its been there for quite a while and I have checked up on it countless times to help me make decisions. They dont have it. At this point the price argument was adding a lot of weight. The Contax Zeiss version fetches $800 on eBay but there's a $60 wolf in sheep's clothing called the Pentax PK 28mm F2.0 which has a fascinating story behind . But I now have the 200 and I have to admit, the bokeh is very pleasing and captivating, and I prefer it. Really haven't tested it enough, but the color rendering of the 85mm f2.8 really seems to have some special magic. But Zeiss was so precious about these lenses that some of them were only made in Japan and others in Germany. The Hasselblad we threw up also seemed to have an uncannily similar T* coating too. In fact, i'm almost considering selling my 85mm f1.4 for that reason. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Its awesome Western Zeiss glass. You can use the code CINE at check out for a nifty discount! The Super Nettel was based on the Contax I, with the same kind of shutter but a folding body, a fixed lens, and a short-based rangefinder. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. http://slrlensreview.com/web/reviewszontalmenu-172, http://web.archive.org/web/200710120rode/TestZ.htm, If this is your first visit, be sure to
I will leave you with a few beautiful videos that will definitely help you make up your mind! Its the one I always took with me and it gave me gorgeous shots. I have used the Nikon 85 1.4, Sony Carl Zeiss 85 and 135, Mino 85, Sigma 85, Canon 85 1.2 for reference. All Time Today Last Week Last Month. This makes life easier when grabbing gear to go out and renting it as well. The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. As always very much appreciated. The AE's are no longer serviced by Zeiss, keep that in mind. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. See the photo below! What's the word on that lens? Its agreed that MM lenses perform better and have cleaner results than AE lenses, theyre also less prone to flaring. The main difference being that a normal . The 15/3.5 took the cake though. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. In this guest post, Vancouverbasedfreelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. I also added the f-stop for each lens and its minimum focus in meters and feet. Of course, that was way before RED and Leitax adapters. It all started when I stumbled upon a post on Craigslist from a guy selling his Contax Zeiss set. 15 3.5, 16 2.8 FISHEYE, 18 f4, 21 2.8, 25 2.8, 28 f2, 28 2.8, 35 1.4, 35 2.8, 45 2.8, 50 1.4, 50 1.7, 55 1.2, 60 2.8 Macro, 85 1.2, 85 1.4, 85 2.8, 100 f2, 100 2.8 Macro, 100 3.5, 135 f2, 135 2.8, 180 2.8, 200 f2, 200 3.5, 200 f4, 300 2.8, 300 f4, 500 5.6, 500 f8, 1000 f8, 28-85 3.3-f4, 35-70 3.3, 35-135 3.3-4.5, 80-200 f4, 100-300 4.5-5.6, 40-80 f4, 70-210 3.3. When designing your focus gears, keep the number of teeth constant for all the lenses. Total newbie question about connecting Zeiss Contax lenses to BMPCC To me, Contax are a GREAT way to affordably get a very real cinematic look from a golden age in Zeiss optics. Renting Komodo ST, Helium, Gemini, Alexa Mini, Phantom VEO4K, break down into purple splotches when they flare, http://www.ebay.de/itm/Contax-Carl-Z#ht_500wt_1156, dittok One Stop RAW Visual Production Service, If this is your first visit, be sure to
$2 each. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens. The price was pretty good and Im the type of person that can buy something just because the price is good. 1. The price-performance ratio of the Minolta lenses is the best in the camera world. By the 1960s, competition from the Japanese led to the eventual shuttering of both subsidiaries - even as the larger Zeisss stayed in business. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. Contax Zeiss Survival Guide: Adapted Lens Talk Forum: Digital Copyright 2007-2022. Search. Blackmagic Forum View topic - CONTAX Zeiss lenses | BMPCC 6K To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Contax rangefinder - Camera-wiki.org - The free camera encyclopedia Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. However, I wont argue that having a lens that says Made In West Germany is wicked cool. thanks Nick im building Contax set in soon :). The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. Old against New: Zeiss 2.8/28 vs Sony FE 2/28 vs Minolta MC 2/28 From the Contax Survival Guide: 100 3.5 - Like the 85 Sonnar, but slower and possibly even sharper. Wide open the 1.4 is great, but the focusing ring just feels very clunky on my copy. This makes life easier when grabbing gear to go out and renting it as well. I personally own the 35mm and the 50mm. Domenic, you are selling your 100 Macro 2.8 right? I shipped all of them to SIMMOD for declicking and a quick checkup. I was not impressed, so I decided to make my own. What IS the Ninja-Star? As they are still lenses, there is some breathing on some of them, but nothing insane that has ruined any of our shots. Thats when I learned of Leitax and their mount replacements. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. So far I had been using adapters on them, and they sucked. That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. I met amazing businesses with folks that really know how to deal with their customers, I did try out mindblowing glass and I was humbled by all the feedback I got when asking questions about what would be my best options in the middle of the process and posting updates of what I was working on. Its a very charming (or annoying, depending on your POV) design to the aperture blades that looks like a crooked ninja throwing star. Both look awesome, and I think people are splitting hairs. freelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. I prefer the C/Ys but since I already own 3 FDs (cheap ones: 28 2.8, 50 1.8 and 135 2.8), I'm leaning towards the latter, although still undecided. Thats where my obsession started. How to Cine-Mod old Contax Zeiss Lenses from eBay on a Budget This stumps everyone. Heres the full line of glass. As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. Contax Zeiss Survival Guide - REDUSER.net 300 g Possibilities of combining Carl Zeiss lenses with Mutarconverters for use with the ContaxSLR camera system Carl Zeiss Photoobjektive D-73446 Oberkochen Telephone (07364) 20-6175 Fax (07364) 20-4045 eMail: photo@zeiss.de http://www.zeiss.de Contax also made very impressive Zooms. Since the filter threads across the set are wildly different (from 55 to 72mm), standardizing the filter threads to 77mm allows you to own one single set of filters which can quickly switch lenses without the need for tons of step rings. I was not impressed, so I decided to make my own. Would I be crazy to say I kinda prefer my 85mm f2.8 to my 85mm f1.4. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. You have a wide range of lenses to pick from and equally different price tags. check out the. The planar 35mm F/1.4, 50mm T1.4 and 85mm F/1.4, are among some of them. They are also a little sloppy on the mount, which can be alarming. If thats your deal, then you will love Leica Rs. Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. The stills guys LOVE IT. http://www.pebbleplace.com/Personal/Contax_db.html, QuineCore Question - how to solve your production woes, If this is your first visit, be sure to
What's the best camera for shooting landscapes? I would jump on it in a heart-beat. This is a guide for people that love handling gear and tweaking little things here and there. Favorite Zeiss Lens? : GH5 - Reddit Ron also offers the full mod service for great prices, including focus gears and lens mounts. E) They are very easy to cinemod. So not everything has gotten better over time. These babies were bleeding me dry. The first one is AE and the second one is MM. The price was pretty good and Im the type of person that can buy something just because the price is good. Easy to see which one I loved the most back in 2015. I then redesigned and printed new focus gears for these and ordered more Leitax mounts and that was good for another five months. Conveniently for me as I was finishing the set, SIMMOD Lens came into the picture, with very competitive prices, impressive customer service and super high-quality products. I always took the 135 with me and some of my favorite photos come from that time. Againthis is just a hunch on my part, dont shoot me 5) HOW TO SHOP FOR THEM - DON'T GET "G", "N", or "645". Speaking of good prices, many links in this post will take you directly to eBay searches of each specific lens! Time. I am thinking of selling the lenses we tested together. I didnt think too much about them when designing, they just needed to fit around the ring, and our printer was painfully slow (M3D, Im looking at you). The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. Wide open these are more likely to deliver a strong image that is consistent up and down the aperture. Heres a little short-hand: ". In my previous buyers guide Ive shown you how to build a Zeiss Jena Mini-Cine set for $1000, but if you have a bit more money to spend then ContaxZeiss is the way togo! Impressive performance and also the fastest 35mm I ever owned. If you dont have a 3d-printer, Im selling all the gears I made for my set on eBay! There are DOZENS of lenses to choose from, that cover all focal lengths from 15mm to 500mm. It also has built-in color filters which I freaked out when I realized how to turn them. THE CONTAX LENS GUIDE - 2015 EDITION The most up-to-date guide to almost every Contax lens ever made. This means that not all MM lenses are made in Japan. Slowly I fell in love with them. Anyone who tells you otherwise is full of shit. Thank you! What an amazing amount of learningand research condensed and shared. Nick, awesome thread. After I read stellar reviews about the 28mm f/2.0 Hollywood, I went looking for one. If you do have a printer, I made a tutorial on how to make focus gears! Expect there to be bidding wars on eBay now, the gates of CONTAX HELL have been unleashed. 80mm is the outside diameter of the rings, and that number is so specific because its a standard size for clip-on matteboxes. I repeated the technique for the rear caps, this time with only the focal length written on them. The Hollywood is indeed a star and the image that comes out of it is much more appealing than the 28/2.8. Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. You have to keep wiggling them slowly, side by side, until they are in place. Standard lens, cant really make a set without a 35mm in it, right? These last two are challenging to adapt to EOS because of their. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow! Plus, fitting these is never a one-slip move. Landmine Media, LLC. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. This wraps the first step in building a set of lenses: getting the glass. These have less elements (6?). The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. So I sand the inside down a bit and try again. In my experience, Japanese and German lenses are equally good. The fastest "wide" is the 28 f2. Great post about contax! The 135mm f/2.8 was a great lens. Last point on the focus gears: the same way you always want to have a constant outside diameter, you want to place them on the lenses at the same distance from the mount. Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. Then I sent that to be printed at StickerYou in vinyl stickers. The f/2.8 never really impressed me, even though its regarded as one of the best budget 28mm out there. Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. Copyright 2007-2022. These I ordered from MOO, because they offered me more variety at a much lower price. Theyre much cheaper than modern lenses, yet share similar designs and performance. Note: My hunch on the latitude/low con deal is as follows. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. Im from Bangladesh. Introduction to Contax Zeiss + Cine Tune-Up Guide In Contax, that corresponds to all lenses 35mm and wider (down to 15mm). I returned to the guide and started eBay hunting. Heres a very interesting article by Edward T. that summarizes tech papers published on these designs and their differences, pros and cons. Damn Nick! 250 g approx. After WW2, Zeiss was split asunder in TWO. That meant getting a few more lenses and upgrading various aspects I had neglected so far. Contax Zeiss. I remember someone doing a test a when the epic first came with stills lenses and noticed it too. Momentum picked up and I saw myself getting ready to DP a webseries pilot. It was not a problem as a starter set. My favorite lens switched to the 85/1.4 after that, though. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. Page of 321. $60 Pentax that's actually a $800 Zeiss by designer of Stanley Kubrick This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. Well done mate. It was a time when I didnt shoot much, but I went on long bike rides. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. Or buy Supers. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. X. X. The Minolta MC 2/28 is the oldest and fastest of the bunch, it was introduced in 1975. Landmine Media, LLC. The two rivals would go to war over the name Zeiss until the end of the Cold War (it was the longest court case in the history of East Germany). Distagon, Planar, Sonnar, Tessar, Biogon and Hologon. You can also tell their place of manufacture based on whats written on the lens! I returned to the guide and started eBay hunting. LensFinder | NEW way to buy & sell OLD lenses. I would take Contax Zeiss over Canon "Cine Primes," Zeiss Compact Primes, or the new "Superspeeds" any day. Then, near the end of last year I decided to round out the set and make it suitable for renting. If you are referring to breathing, there is some, but less than in many other still lenses. Contax Zeiss Survival Guide. Building this set was a great experience throughout. Contax Yashica lenses - German vs Japanese: Adapted Lens Talk Forum Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. Leica Rs are much prettier. You can unsubscribe at any time via an unsubscribe link included in every newsletter. He's obsessed with the technical aspects of his projects and how each piece of glass in front of the sensor will affect the final look. I thought I knew a bit but I just learned so much! Or get a Duclos/Tokina 11-16. Are not only the slowest, but frequently the most classic. The Canon EOS R10 is compact, mid-level 24MP APS-C mirrorless camera built around Canon's RF mount. Eventually will spring for 135/2.8. I started using these lenses casually. You have to admit they look sexy. It was, perhaps, the first standard zoom of truly decent quality throughout its range. Contax Zeiss lenses are the gems for sharp yet vintage glass. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. I needed the one extra stop of light though, for consistent f/2 or faster through the main set. Each page with eight stickers costed me about $10. I'm liking my 28:2.8 AE. Contax Zeiss Survival Guide : r/SonyAlpha - Reddit This page was generated at 05:50 PM. These babies were bleeding me dry. B) They share very similar designs as the ZF/ZE/CP2 lenses, but for or the price That would be asking a lot of these budget lenses. These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. With less glass comes more consistency. Collapse. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. Wide open, the 35 1.4 and 85 1.4 are fine (circular bokeh). Contax have a bit less contrast, and flare more. Bill that is an insane price for the 21, it's been hovering around 2,000 for as long as I can remember. In fact, they MOD better than ZF/ZEs believe it or not. For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. Impressive performance and also the fastest 35mm I ever owned. Be patient, use heat and sandpaper, and youll get there. I havent tested these much yet, and I ended up not doing standard outside diameters. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! I prefer it, cuz theres an honesty there I appreciate. If you want something ready to use from the get-go, Id say this is not for you. You can see our informal results. Then Nick Morrison went on and on and on about the 35-70. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. You can use the code CINE at check out for a nifty discount! I know a bunch of photo magazines back in the 90's and early 2000's did comprehensive tests and reviews of Contax, I wonder if they lifted the numbers from one of those? Leitax mount on the left, original Contax/Yashica mount on the right. That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. What's the best camera for shooting sports and action? VLFV family also gets 10% off any order you make with this companies, just add a promo code VLFV (SimmodLens) or VINTAGE (FollowFocusGears.com) on checkout. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. or Sign Up Log in with Search in titles onlySearch in Lens Tests only Search Advanced Search Forums Groups New Posts Today's Posts Member List Forum Shooting RED It was intended to be a cheaper alternative. For that reason I had to make a super tall focus gear that would not slip off when travelling from infinity to minimum focus. I managed to get a bunch of black C/Y adapters, step up rings, and some lens gears from eBay and decently cobbled together a set. Also because Soviet glass was super cheap. Otherwise, the transition from AE was meant to be seamless. I had a feeling Nick was up to making a guide like this. Copyright 2007-2022. Whereas Contax is an F4 at 18mm, and 2.8 at 25mm. The main difference being that a normal human can afford Contax Zeiss but not Leicas. Not too sure but it seems likely. But if you want SPECIFIC tailored performance, than RPPs, Cookes, or Ultraprimes are probably a better choice (for many times the budget). In terms of a look, weve shot with both and there is a clear difference to me. Eastern Zeiss instead consolidated all their smaller name brands into PENTACON. Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. But Leica Rs are certainly more expensive, so take that into consideration if you are on a budget. Are usually 3.5 and F4. You can tell them apart because MM have their last aperture number painted green, and they have a small tab on the mount that doesnt exist on AEs. Caps & gears cool. (Nick hope you don't mind my piggy-back!). The process turned out alright and the gears worked great, but later on I learned some useful tricks. For example, the 200 3.5 Tessar was "updated" with a Sonnar 180 2.8. At T2 they beat out Supers and Contaxes. We're Noct messing around with this review. The 21/2.8 was a must. AE vs MM? For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. Filter. Momentum picked up and I saw myself getting ready to DP a webseries pilot. While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. I started with the 28mm. Filter. We look into whether it offers more than your smartphone. AE lenses were made between 1975 and 1984. Contax RTS glass can easily be adapted to EOS. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. Also because Soviet glass was super cheap. The Sony FE 2/28 is brand new and the most expensive one at 450.
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