Mclean, I. Add to favourites. NOTES TO BASQUIAT: (AB) ORIGINAL, 1999 | Deutscher and Hackett Unfinished Business: The Art of Gordon Bennett 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. Georges Petitjean, Kitty Zijlmans and Ian McLean, Outsider/insider: the art of Gordon Bennett, Ghent, 2012, 50 (colour illus.). He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . Notes to Basquiat: Perfect Teeth comes from the important extended series, Notes to Basquiat, which was a major theme in Bennetts work throughout the 1990sa selection of works on paper from this series was included in The Third Asia Pacific Triennial of Contemporary Art (APT3) in 1999. If I were to choose a single word to describe my underlying drive it would be freedom To be free we must be able to question the ways our own history defines us. 6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. Haptic Painting (Explorer: The Inland Sea) 1993 Synthetic polymer paint on canvas / 177 x 265cm The Estate of Gordon Bennett, Collection: Commonwealth Bank of Australia, Gordon Bennett Australia 1955-2014. Gordon BennettPossession Island (Abstraction) 1991oil and acrylic on canvas182 x 182cmCollection: Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2016 The Estate of Gordon Bennett. Possession Island 1991 Of the latter four, Bennett is most easily understood as a critical postmodernist. An artist who builds houses and swings and cares a lot about community, A discussion with Amandla Stenberg, Mars and Lorna Simpson about the youth-led movement #ArtHoe and how it relates to Simpsons work, Bennett was born in Monto, Queensland, in 1955 to an indigenous Australian mother and an Anglo Celtic migrant father. Medium. Bennett's series works across both Australian and American cultures, with wider historic references to the radical and the marginalised. 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. We will contact you if necessary. A cause as worthy and challenging as anti-racism, on the other hand, can provide material for a lifetime. Synthetic polymer paint on paper
We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Notes: Title from inscription on verso. The diversity of Bennetts work is another striking feature. come from somewhere, have histories, and like everything which is historical,
Explainer: what is postmodernism? Gordon Bennett Possession Island (Abstraction) 1991 was purchased jointly by Tate and the Museum of Contemporary Art Australia with fund provided by the Qantas Foundation, 2016. It weaves . Unfinished Business: The Art of Gordon Bennett - Art Almanac Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon We are developing and evolving the new Collection Online and would love to hear what you would like to see developed next by answering these questions after you've finished using the website. Notes to Basquiat: Double vision2000Gordon BENNETT. Notes to Basquiat was named for the American Jean-Michel Basquiat (196088), a precocious young artist of Puerto Rican and Haitian-American heritage, originally a graffiti artist, whose star flamed brightly in the energetic international art world of the 1980s; Perfect teeth riffs on Basquiats own paintings. Far from being grounded in mere "recovery"
Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). In 1999, the year this artwork was created, John Howard issued a 'statement of sincere regret' over the forced removal of Aboriginal children from their families, failing to make an official apology. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. The visually complex and layered works challenge received accounts of Australian colonial history. Bennett's art practice is interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. 1992 exhibition at the Whitney. body to expose both pain and anguish and a common humanity. Notes to Basquiat: Australia Day re-enactment 1998
Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. In his Welt series of paintings of the early 1990s, he painted over the created scarified surface of Jackson Pollock inspired drip paintings in matt black. I feel I can understand
Gordon Bennett explored indigenous past through his conceptual art, Retrieved August 24 2014, from, http://www.smh.com.au/comment/obituaries/gordon-bennett-explored-indigenous-past-through-his-conceptual-art-20140627-zsnql.htm. Synthetic polymer paint on paper
Collection: Bendigo Art Gallery, Gordon Bennett Australia 1955-2014. Bennett died in 2014, aged 58. ), 31, Gordon Bennett was a painter of history and histories. The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. You lost your balance. 152: GORDON BENNETT. Open daily 1955) Notes to Basquiat: Female Pelvis signed, dated and inscribed 'G Bennett April 1999 NOTES TO BASQUIAT FEMALE PELVIS' (on the reverse) acrylic on cotton duck 50.5 x 50.5 cm. (2014). APT3 - Artist's Work - Gallery of Modern Art, Brisbane born 1955. Gordon Bennett Australia 1955-2014 Notes to Basquiat (Death of Irony) 2002 Synthetic polymer paint on linen / 152 x 304cm The Estate of Gordon Bennett. > Notes to Basquiat SAVE ARTWORK FOLLOW ARTIST. In, In 1995 Bennett began making work under the name 'John Citizen'. In Gordon Bennett's splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word 'mono' in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a 'monoculture'. NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 - Deutscher and Hackett Gordon Bennett - Sutton Gallery within, the narratives of the past.". Art, Australian -- 20th century -- Pictorial works. 152.0 x 188.5 cm. Ewen McDonald (Editor), Biennale of Sydney 2000, Sydney, 2000, 39 (colour illus. Gordon Bennett (1955 -2014) was an Australian artist of Aboriginal and Anglo-Celtic descent. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. Estimate: $80,000 - $100,000. we may be separated by cultural context, time, space and death. To learn more about how to request items watch this short online video . Gordon Bennett | NOTES TO BASQUIAT (2001) | MutualArt Bennetts painting Notes to Basquiat (2001) presents distinctly cultural conflict in contemporary Australian society. on exhibition catalogue front cover), Aulich, A., Visual Arts, The Melbourne Review, Melbourne, issue 21, July 2013, pp. His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. Quoting the raw graffiti expressionism of Philip Guston and Jean-Michel Basquiat, Bennett identifies a more authentic form of modernist painting, intimately connected to notions of race, ancestry and nation scrawled in lists close-by.Playing with the flatness of the picture plane so exalted by Modernist theory, Bennetts layers of text and appropriated images jostle for prominence. They reference the massacres of Aboriginal people in Myth of the Western man (White mans burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). With the invitation to exhibit in a contemporary art fair at New Yorks Gramercy Hotel as catalyst, in 1998 Bennett embarked upon his celebrated Notes to Basquiat series paying homage to the work of Neo-Expressionist painter Jean-Michel Basquiat the first African American to receive international art world acclaim who also shared a similar preoccupation with semiotics and visual language as instruments of marginalisation. At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. The late artist, of Indigenous and Anglo-Celtic ancestry, expressed his disgust through wit and anger in a variety of . and levels we can relate to each other as human beings in the world of
Gordon Bennett - Art - LibGuides at Melbourne High School secure our sense of ourselves into eternity, identities are the names
GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT: (AB) ORIGINAL, 1999, synthetic polymer paint on linen DIMENSIONS: 182.5 - 182.5 cm SIGNED: signed, dated and inscribed v . Abstraction (Citizen) 2011 (2010). Read more: 11, Paris, Nov 2013-Dec 2013, 11 (colour illus.). Aboriginal Australians -- Politics and government. Gordon Bennett, Notes to Basquiat: Totem Lesson 2 - Annette Larkin His paintings are not expressionist. Certainly, the notebook quote reflects how Bennetts reputation has been cemented in Australian art history. Anchoring the composition is a confronting tortured skeletal figure, that embodies a shared stereotyping of blackness, yet more universally suggests a common humanity that beneath ones skin we are all alike underneath. (LogOut/ Works | NGV | View Work Notes to Basquiat - Big Shoes - Cooee Art Bennett, Gordon. Meet one of Australias most important contemporary artists, whose bold and playful works explore the politics of identity, Gordon BennettHome Dcor (Relative/Absolute) Flowers for Mathinna #2 1999acrylic on linen182.5 x 182.5cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2012 The Estate of Gordon Bennett. At times it is as though we are looking at the work of more than one artist. Gordon Bennett Australia 10 August 1955 - 3 June 2014 Notes to Basquiat (City) 120 x 80cm
He is understood alongside politically inclined American artists from the so-called Pictures generation of the 1970s and 80s (Barbara Kruger, Cindy Sherman, Sherrie Levin). time, space and death. These works, like Basquiat's, use images of the
For example, the small painting of a black angel in the installation in the first room of the exhibition titled Psycho(d)rama (1990) recurs in Notes to Basquiat (Jackson Pollock and his Other) (2001). reality embodied in the idea "that we are all alike underneath" is also
GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. Copyright or permission restrictions may apply. Bennett conversed about his conceptual painting practice as 'based on the semiotics of style and paint application, images and text, historical and contemporary juxta-position'. synthetic polymer paint on linen. Please check your requests before visiting. Notes to Basquiat (City) - AGSA Collection Notes to Basquiat - Big Shoes - 2002. Mayer, M. View sold prices. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Collection: The Estate of Gordon Bennett. Gordon BennettNotes to Basquiat: Boogieman Blues 1999acrylic on linen182.5 x 182.5cmCollection: Private, Adelaide The Estate of Gordon Bennett. Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. Notes to Basquiat: Famous boomerang 1998
Writing in his Manifest Toe in 1996, Bennett said: If I were to choose a single word to describe my art practice it would be the word question. Estimate: $40,000 - 50,000. Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. The, In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and. Probability, Rap and coincidence why. Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. Paul Matharan and Arnaud Morvan, Mmoires vives: une histoire de l'art aborigine, Bordeaux, 2013, 220, 221 (colour illus.). The works I have produced are notes, nothing more, to you and your works, posthumously yes, but importantly for me - living in the suburbs of Brisbane in the context of Australia and its colonial history, about as far away from New York as you can get - these are also notes to the people who knew you and your works, those who carry you with them in their memories and perhaps in their hearts.1. Notes to Basquiat Untitled, 1999. In 1998, ten years after his death, Bennett wrote an open letter to Basquiat that explained his motivations: To some, writing a letter to a person posthumously may seem very tacky and an attempt to gain some kind of attention, even steal your crown. your book, a reference to Stuart Hall which I have included in my own
120 x 80cm
An Aboriginal man is inserted into the picture whose exploding head is turning into stars. See opening hours Gordon Bennett. . 'One of the most important Australian artists of the late 20th century The first African American artist to be internationally acclaimed, he was in many ways a model of the exotic success favoured in the rapacious celebrity stakes of the New York art world as much for his ethnic origins and youthful beauty as for his undoubted talent. Gordon Bennett, an artist who scaled the heights of the art world, Retrieved from http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, National Gallery of Victoria. View Notes to Basquiat (1999) By Bennett Gordon; Synthetic polymer paint on linen; 182.5 x 182.5 cm. 03 Jun 2014. ibid., p. 22, Important Australian + International Fine Art. Measurements. His playful yet powerfully political artworks borrow images from other artists and mix and re-contextualise elements from Western and non-Western art history. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. 1 / 1 - Notes to Basquiat - Big Shoes - 2002. (Ed.). ), 210. This is the third major survey show to consider the breadth of Bennetts work and should not be missed. 152.3 182.7 cm. By Julie Ewington At the entrance to this exhibition, there is an excerpt from the artists notebook from December 1991. Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning. Lot 5: GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT - Invaluable Written just three years after Bennett graduated from art school as a mature aged student, it gives a very clear sense of his early ambition and political purpose. Read more: On the opposite corner, however, a pair of heads labelled Caucasian and black/abo stare blankly into the void. 102: GORDON BENNETT born 1955 Notes to Basquiat. Three parts: a: 182 x 182cm; b: 182 x 61cm; inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". Notes to Basquiat: Unreasonable facsimile 1998
Indeed, perhaps more directly and explicitly than any other Australian artist, he engaged in the debate on republicanism, sovereignty and citizenship in an effort to highlight the plight of indigenous people not just locally, but internationally, who have become estranged as a result of colonialism. Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiat's own art. I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? Bennett, Gordon. Gordon Bennett Australia 1955-2014. Notes to Basquiat (in the future art will not be boring) It was another way for the artist to avoid being typecast simply as 'a professional Aborigine, which both misrepresents me and denies my upbringing and Scottish/English heritage'. His three paintings titled Possession Island are based on a 19th century etching by Samuel Calvert. This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. Inscription. Here's looking at: Blue poles by Jackson Pollock. )Israel, G., Senior Artwise 2: Visual Arts 11-12, Jacaranda Press, Milton, Queensland, 2003, (illus., front cover and p. 163)Murray Cree, L., Twenty: Sherman Galleries 1986-2006, Craftsman House / Thames and Hudson, Melbourne, 2006, p. 123 (illus. 152.0 x 182.5 cm. Griffith University provides funding as a member of The Conversation AU. It is anything but. ; Signed; . Far from being eternally fixed in
of your drawing of the human figure. This echo is surely intended as Butler claims that Bennett's last decade of work (post-Notes to Basquiat, [after 2002]) resorted 'to an easy irony' - a 'cynical postmodernism' - as if he 'may be running out of inspiration.' However, farce does have its [2] lessons and perhaps speaks more truthfully to our age. . ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. Of course, this price has nothing to do with the top prices that other . Get the best price for your artwork or collection. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. The former emerges from a Klansman conical shroud, the gears of his brain communicating directly with those of his subordinate comrade, like the mechanisms of a ventriloquists doll. Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose. The main reference for Notes to Basquiat (The Coming of the Light) is not Basquiat's imagery, but one of Bennett's early paintings, The Coming of the Light (1987). ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. By quoting from a range of cultures and artistic styles, he questions and undermines colonial history and racist stereotypes.
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